doctor sleep spoiler review

Time will be kind to Doctor Sleep, a bold, audacious, unapologetically sentimental horror film. The box office returns are paltry, and the film itself has its fair share of problems. And yet, Mike Flanagan‘s tender adaptation of Stephen King‘s novel shines because it’s so committed to embracing emotion. Stanley Kubrick’s cold, unfeeling, excellent The Shining jettisoned the

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Noelle trailer

Noelle would seem to have all the necessary elements you’d want to find in a feature comedy: a few recognizable actors, a high-concept premise, a character arc, setpieces, etc. But there’s something just…off about the whole affair, from its opening moments. Maybe the key problem here is that the basic conclusion of the movie is

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Frozen II Bruni and Elsa

“Some things never change,” or so go the lyrics in one of the songs in the highly anticipated Disney sequel Frozen II. This follow-up arrives six years after the worldwide phenomenon of Frozen took hold of popular culture, with its songs becoming so unavoidable and ubiquitous almost overnight. Frozen II attempts to carve out a

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The Good Liar Review

The Good Liar is the latest entry in a slowly expanding subgenre best known as They Don’t Make Movies Like This Anymore dramas. In a time of infinite intellectual property, of franchises and sequels and reboots, The Good Liar is a small oasis in a cinematic desert where once there was more frequent life. This

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charlie's angels review

Whenever a reboot of a moderately successful property comes around, eyes will inevitably roll. Did we really need a new remake/reboot/reinvention of insert-movie-here? It’s a question that plenty of people will have going into Elizabeth Banks‘ new Charlie’s Angels. Did we really need a new Charlie’s Angels? Not really. Does it justify its existence? Not

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midway review

In 2001, Michael Bay unleashed Pearl Harbor, a big, dumb, corny, effects-driven war epic about the attack on Pearl Harbor, and the battles that followed. Featuring a lifeless romantic subplot and an exhausting runtime, it’s not what anyone would consider to be a good movie. But watching Midway, the new catastrophe from disaster movie maven Roland Emmerich that covers

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into the dark pilgrim trailer

(Blumhouse Television and Hulu have partnered for a monthly horror anthology series titled Into The Dark, set to release a full holiday-themed feature the first Friday of every month. Horror anthology expert Matt Donato will be tackling the series one-by-one, stacking up the entries as they become streamable.) As a preacher of the good holiday

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Netflix’s The King is a reverse Hobbit: instead of adapting one book into three movies, it adapts three plays into one film. Shorn of Shakespearean dialogue, this loose retelling of Henry IV, Parts 1 & 2 and Henry V gets by on character and plot. Timothée Chalamet brings a brooding intensity to the Henry V role,

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Lady and the Tramp Review

The slew of live-action and computer-animated remakes of Disney’s hand-drawn animated classics have largely managed to feel creatively bereft, but they have never been entirely pointless. Why does a remake of Aladdin or Dumbo or The Lion King exist? If nothing else, to further fill the coffers of the Walt Disney Company, so that its

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